Bio — Download PDF
Artist Statement — Download PDF
CV — Download PDF
High Resolution Images — Please contact Jeannie for access information.
|2019||JEANNIE MOTHERWELL, essay by Ann Landi, Contributing Editor ARTnews, founder of Vasari21.com, M Fine Arts Galerie, (catalog for solo exhibition, IMPACT)|
|Jeannie Motherwell in South Florida, by Raymond Elman, Inspicio, January 2019|
|2018||The Motherhood Report, by Ann Landi, Vasari21.com, December 3, 2018|
|Jeannie Motherwell’s cosmic vistas, by Susan Rand Brown, Provincetown Banner, July 26, 2018|
|Jeannie Motherwell, Under the Radar, by Ann Landi Vasari21.com, July 22, 2018|
|Jeannie Motherwell — Chance favors the ready mind, by Christopher Busa, Provincetown Arts Magazine, 2018 (Acrobat pdf file)|
|Limitless Motherwell: Amp’d Up Vibe In Provincetown, by Suzanne Volmer, Artscope, July/August 2018|
|THE GIFT IN OUR VOICES — Interview with Jeannie Motherwell, interviewer: Kit Kennedy, San Francisco Peace and Hope|
|Space for Art — Making a cosmic impression, by Nicole Stott, ROOM – The Space Journal, Summer 2018 (Acrobat pdf file)|
|Art & Life with Jeannie Motherwell, BostonVoyager, April 10, 2018|
|2017||Jeannie Motherwell: Her Art Stands by Itself, by Dirk Vanduffel, Artdependence Magazine, Belgium, October, 2017|
|Jeannie Motherwell’s paintings revel in abstraction, by Cate McQuaid, Boston Globe, October 13, 2017|
|Jeannie Motherwell: Pour. Push. Layer. at Rafius Fane Gallery, by James Foritano, Artscope, September/October, 2017|
|SOWA FALL PREVIEW: CHANGES IN THE AIR, by Suzanne Volmer, Artscope, September/October, 2017|
|POUR. PUSH. LAYER., by Susan Rand Brown, Art New England, Vol. 38, Issue 5, September – October, 2017|
|Jeannie Motherwell at her SoWa Boston Exhibit in the Rafius Fane Gallery, video interview by Artscope Magazine’s Suzanne Volmer, September, 2017|
|2016||Boston Based Artist Jeannie Motherwell Draws Structures From Uncertainty THE SILO, November 28, 2016|
|Jeannie Motherwell Interview from Yale University Radio WYBCX, November 16, 2016|
|Jeannie Motherwell’s Provincetown work is haunted by the Patricia Marie Provincetown Banner, Vol. 22, Number 26, October 13, 2016|
|Dancing with a creative partner gently leading me into moves I have not yet experienced. Jeannie Motherwell, interviewer: Kit Kennedy, San Francisco Peace and Hope, Issue 5|
|Sanctioned Spaces, by Jeannie Motherwell, Vasari21.com, April 5, 2016|
|2015||Tide No. 2, Home page of San Francisco Peace and Hope, excerpt, downloaded April 24, 2015 (Acrobat pdf file)|
|2014||Ebbing, Masthead/cover of Art Connection, Fall/Winter, 2014|
|San Francisco Peace and Hope The Book, wrap around book jacket featuring Tide 2|
|One Thing and One Thing Only – To Paint, interviewer: Kit Kennedy, San Francisco Peace and Hope, Issue 4|
|Night Rhythms, sfpeaceandhope.com, Issue 4, Chapter 1|
|Elementary and Circle of Life, Avenue, April, 2014, page 94|
|2013||Elementary and Circle of Life, Quintessence, November 18, 2013|
|Dance Hamptons Cottages and Gardens, July 15, 2013|
|Never Give Up the Joy and Awe of Exploration, An interview with painter Jeannie Motherwell, interviewer: Kit Kennedy, San Francisco Peace and Hope, Issue 3|
|River Run, San Francisco Peace and Hope, Issue 2, Chapter2|
|2012||Patricia Marie: Abyss, San Francisco Peace and Hope, Spring / Fall issues, 2012|
|Robert Motherwell, Helen Frankenthaler and Cape Cod Influence the Works of Jeannie Motherwell, by Jeannie Motherwell, Journal of the Print World, Vol. 35, Number 1, January, 2012 (Acrobat pdf file)|
|2011||Dune with Dreams, Good Samaritan Medical Center, Emergency Department, audio guide Play audio|
|Jeannie Motherwell: New Work, by Jim Foritano, Artscope Magazine, July/August, 2011 (Acrobat pdf file)|
|Patricia Marie: Abyss San Francisco Peace and Hope, Issue 1, Chapter 1 and Elegy 911: An American Tragedy Chapter 5|
|Jeannie Motherwell — Paintings and Collages: 2004-2010, Boston University Metropolitan College, Winter, 2011 (Acrobat pdf file)|
|2009||The Provincetown Roots of Jeannie Motherwell, Provincetown Magazine, Vol. 32, Issue 15, July 23, 2009|
|2008||Capsule Previews, artscope, New England’s Culture Magazine, November/December, 2008|
|Studio Show Recollections/Robert Motherwell, by Jeannie Motherwell, Provincetown Arts Magazine, Vol. 23, annual issue, 2008/2009|
|Robert and Jeannie Motherwell, Provincetown Art Guide|
|2007||Year In Review 2007, by Sue Harrison, Provincetown Banner, Vol. 13, Number 34, December 27, 2007|
|Gallery Scene, Provincetown Magazine, Vol. 30, Issue 18, August 9, 2007|
|Administrator by Day, Artist by Night, by Rebecca McNamara, BU Today, August 8, 2007|
|Jeannie Motherwell Unlocks the Ghost of the Patricia Marie, by Susan Rand Brown, Provincetown Banner|
|Patricia Marie, Provincetown Magazine, Vol. 30, Issue 17|
|Artists: Art Talk, Provincetown Arts Magazine, Vol. 19, annual issue, 2007-2008|
|On display at the MET Gallery, Boston University Metropolitan College, commencement 2007|
|2006||Jeannie Motherwell & Friends @ Lyman-Eyer, Provincetown Magazine, Vol. 29, Issue 21, August 31, 2006|
|Making a Bid, Boston Globe ‘Sidekick,’|
|2005||Sea Change, American Airlines ‘American Way,’ December 1, 2005|
|Around P’town, Provincetown Banner and Advocate, July 30, 2005|
|Open Studios: Art in Context, by Kristin Lambert, artsMEDIA Magazine, May/June, 2005|
|Artists: Art Talk, Provincetown Arts Magazine, Vol. 18, annual issue, 2004/2005|
|Faculty artwork, Boston University Metropolitan College, Winter 2005|
|Weld, Click, Rip: Three North Cambridge Artists join forces for an exhibit, by Chris Helms,
|2004||The Seen and the Unseen, Jeannie Motherwell and Deborah Barlow Show New Work, by Brenner Thomas, Editor,Provincetown Magazine, Vol. 27, Issue 12, June 24-30, 2004 (Acrobat pdf file)|
|On Display: Jeannie Motherwell Works on Paper, Life In Provincetown, Vol. 3, Issue 9, June 24, 2004|
|Artists: Art Talk, Provincetown Arts Magazine, Vol. 18, annual issue, 2003/2004|
|2002||Finding the Light: Artist’s Statements, by Stuard Derrick, Provincetown Magazine, Vol. 25, Issue 25, September 19-25, 2002|
|A Sense of Place: An Anthology of Cape Women Writers by Gillian Drake, published by Shank Painter Publishing|
|The Gallery Scene, Cape Arts Review|
|Art Talk, Provincetown Arts Magazine|
|Portrait of an Artist: Jeannie Motherwell, by Stuard Derrick, Provincetown Magazine, Vol. 25, Issue 18, August 1-7, 2002|
|Open Studios Offers Artists, Public A Chance To Interact, Cambridge Chronicle|
|Peek Behind the Painting, by David Ortiz, Cambridge Tab, April 26, 2002|
|2001||On Equal Ground: Photographs from an Artist’s Community by Norma Holt, Provincetown Art Association & Museum (PAAM)|
|2000||artsMEDIA Magazine, Summer Issue|
|Jeannie Motherwell: Painting Again, by Dan Cooper, P’town Women Magazine|
|1999||Beyond the Windows: A Conversation with Jeannie Motherwell, by Peter Alson, Provincetown Arts Magazine|
|Works in Progress, The Cambridge Tab|
|1980||Face of the Artist: Photographs by Norma Holt through Provincetown Art Association & Museum (PAAM) Exhibition, July 1980|
Having vacationed on Cape Cod Bay since childhood, my work is influenced by the constantly changing landscape that surrounds me, and — when not within hearing distance of the waves lapping or crashing onshore — by the images of celestial phenomena as seen from the Hubble telescope in outer space. I am amazed by the images and mysteries of the oceans and skies in changing weather, Hubble-type images of the universe, and my own physicality during the painting process. It has inspired my paintings, which have an intimacy to the space in them but also an immensity.
The pouring process I use and the mere physicality of it helps me explore spatial complexities that yield marvelous surprises, taking me in directions I cannot anticipate. There are things that happen in my paintings that I cannot explain as I contemplate layer upon layer with intermittent editing and erasing. I may try to control the paintings while working, but I am really searching for answers to make the unexpected work for me. It is about exploring the unknown and then refining it to reflect a visceral memory or experience. I like to think of my paintings as ‘events’ or ‘occurrences’ — that is, actions that emerge in the here and now.
As I wrote about Motherwell, whose father was the famous Robert and whose stepmom was Helen Frankenthaler: Their influences are apparent, but there are also values embraced by much of that ground-breaking group in the 1950s, still ongoing among painters today: spontaneity, intense color, and a basic trust in the possibilities of chance. If anything, Motherwell has surpassed her elders in cultivating a lush and opulent vision that builds on the lyrical impulses of a previous generation. Call it expressionism without angst.
—Ann Landi, Founder & Editor Vasari21.com
Jeannie Motherwell’s work pits generation against collapse, and are as capricious as light flashing on water. They pin us with similar intensity — a moment of coming to be that will just as soon vanish.
—Cate McQuaid, Boston Globe
As the daughter of two artistic icons, how do you find your own path and message in the art world? Jeannie Motherwell has managed to do both.
—Dirk Vanduffel, Artdependence Magazine, Belgium, 2017
The artwork is ‘an event, an occurrence’; that is, an action that emerges in the here and now. At issue is the nature of creation; the ‘subject-matter’ of Motherwell’s work is an ‘artistic creation’ itself, a symbol of the images and mysteries of creation.
—Gerardo Gil, Fine Art Critic, Barcelona, Spain
Abstract acrylic painter Jeannie Motherwell refuses to grow cold in the artistic shadow of her father and stepmother, Robert Motherwell and Helen Frankenthaler. As a stable ecosystem quells its wrestling constituents, Motherwell’s refined intuition hushes the spontaneous boundaries of dilating paint on clay board panel and canvas. Over a soberly spoken interview, the New York artist admits in her work the faint pursuit of a faded horizon: the shifting waters from the view of an old home, replaced, in time, by a windowless studio. The methodology of Motherwell’s art – to draw a structure from an uncertainty – eerily echoes a ritual from her upbringing: discerning, with the right words, to the joy of her guardians, the spiritual essences behind their cascades of paint.
—Brainard Carey, Praxis Center for Aesthetic Studies
Jeannie’s paintings embody a bold re-visioning of abstract painting. The paintings seem to live in a realm between motion and stillness, micro and macro seeing at the same time. This simultaneousness makes for a vigorous dynamic of what exists as imagination and what is perceived. The work is exciting, the color palette luscious, the overall impact is breathtaking. Alchemy!
—Rose Austin, Photographer, Educator, and former director of the Massachusetts Culture Council
Jeannie Motherwell’s new paintings span the distance between far flung galaxies and the crust of the earth. Much like Gaston Bachelard’s reflections on intimacy and immensity, they speak of memories and dreams, evoking—improbably, delightfully—both the solidity of landscape and transparency of smoke.
—Necee Regis, Writer/photographer
The sensual stain of Jeannie Motherwell’s paintings evoke the change of seasons – fall color, a balance of warmth with the impending chill, slicked over a ground of winter white. Like the first frost over newly fallen leaves.
—Erin Becker, Norma Jean Calderwood Director, Cambridge Art Association
. . . Jeannie has been inspired by images she first saw from the Hubble Space Telescope. I was drawn in by Jeannie’s use of color and flow in her paintings and by the way I felt like I was looking at something familiar and completely unknown all at the same time. I also love that Jeannie’s inspiration comes not only from space, but also from our oceans (or what a lot of us like to call inner space) and where there is still so much to explore.
—Nicole Stott, Artist, Former USA Astronaut, International Association Of Astronomical Artists